Cinema Symbolism 3 by Robert W. Sullivan IV

Author:Robert W. Sullivan IV [Sullivan IV, Robert W.]
Language: eng
Format: azw3
Publisher: Deadwood Publishing, LLC
Published: 2021-03-30T00:00:00+00:00

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244 The Book of the Dead, trans. E.A. Wallis Budge (1894; repr., London: British Museum. 1920), 14.

245 Ibid, 14-15

246 Heather Lynn, Evil Archaeology: Demons, Possessions, and Sinister Relics (Newburyport, MA: Disinformation Books, 2019), 236.

247 Ibid, 236-237.

248 Skal, Monster Show, 168, stating: “Virtually every plot element as well as key performers… were recycled from Dracula in the story of an ancient Egyptian returned from the dead to claim the soul of a young English girl and transform her into a living mummy like himself.”

249 The charm looks more like the Egyptian sky goddess Hathor than Isis.

250 Weaver et al., Universal Horrors, 67.

251 Ibid, 69.

252 Churton, Beast in Berlin, 291.

253 Weaver et al., Universal Horrors, 69.

254 Wilson, Melancholy Android, 61.

255 Ibid.

256 Ibid, 25.

257 Hermetica, 2:67.

258 Wilson, Melancholy Android, 26.

259 Ibid, 26-27.

260 John Keats, “Ode on a Grecian Urn,” lines 44-45, cited in Wilson, ibid, 62.

261 Wilson, ibid.

262 Ibid.

263 John Mitchell and John Dickie, The Philosophy of Witchcraft (Paisley: Murray and Stewart, 1839), 118.

264 Sullivan, Cinema Symbolism 2, Chapter V.

265 Greer, New Encyclopedia, 55, 115-117, 478.

266 Lilian Karina and Marion Kant, Hitler’s Dancers: German Modern Dance and the Third Reich, trans. Jonathan Steinberg (New York: Berghahn Books, 2004), 121.

267 Stewart Farrar, What Witches Do (New York: Coward, McCann, & Geoghegan, Inc., 1971), 121.

268 Grimassi, Encyclopedia, 292.

269 Faxneld, Satanic Feminism, 53, 66; Churton, Occult Paris, 94.

270 The Palladian Rites is named after the Greek figure Pallas, son of the first werewolf, Lycaon, and the teacher of Athena, the virginal goddess of wisdom and power, the protectress of the state, social institutions, and agriculture.

271 Pike, Morals and Dogma, 32; Van Luijk, Children of Lucifer, 208.

272 Van Luijk, ibid.

273 Ibid.

274 Levi, Transcendental Magic, 281.

275 Ibid, 187.

276 Stephen Girard, The Mystic Dream Book of Stephen Girard: A Complete Guide to Wealth, Health, and Happiness; Consulted Daily by This Eminent Man, Taken From the Arabic of Mohammed Kazvini; Embracing the Mysticism, Rites, and Ceremonies of the Orient, Adapted to the Wants of All Classes and Conditions of People, rev. ed. (Philadelphia: Rufus C. Hartranft, 1886), 29; The Witches’ Dream Book and Fortune Teller (New York: Henry J. Wehman, Publisher, 1885), 50.

277 Britt Hayes, “Sunday Reads: SUSPIRIA – Psychoanalyzing Luca Guadagnino’s Rapturous Rebirth of a Horror Classic: An investigation into the psychology of SUSPIRIA.” Birth. Movies. Death., November 4, 2018, https://birthmoviesdeath.com/2018/11/04/sunday-reads-suspiria-psychoanalyzing-luca-guadagninos-rapturous-rebirth-of (accessed December 3, 2018).

278 Ibid.

279 Ibid.

280 Farrar, What Witches Do, 95, emphasis added.

281 Valiente, ABC of Witchcraft, 101-102.

282 Ibid.

283 Murray, God of the Witches, 41-42.

284 Levi, Transcendental Magic, 135.

285 Ibid, 307. See also Anton LaVey, The Satanic Bible (New York: Avon Books, 1969), 99.

286 Colin Wilson, The Occult: A History (New York: Random House, 1971), 419.

287 Aleister Crowley, The Book of the Law (1938; repr., San Francisco: Weiser Books, 1976), 46-47, describing the Scarlet Woman’s attributes.

288 Aleister Crowley, Magick, eds. John Symonds and Kenneth Grant (1973; repr., London: Routledge & Kegan Paul, 1981), 216.

289 Kelley, Hallowe’en, 4.

290 Ibid, 155. See also Alvin Boyd Kuhn, Halloween: A Festival of Lost Meaning (1922; repr., Whitefish, MT: Kessinger Publishing, 2004), passim.

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